I’m drawn to moments that are quiet rather than dramatic — places where structure, light, and space come together without demanding attention. My work often focuses on landscapes and architectural forms, not as destinations or subjects to be documented, but as environments to be observed.

Photography, for me, is an exercise in restraint. I’m less interested in spectacle than in balance: the way light rests on a surface, the relationship between built and natural elements, or the sense of stillness that exists just outside the frame. I want the viewer to slow down, to notice, and to inhabit the image rather than pass through it.

Each photograph is an interpretation rather than a record — a reflection of how a place felt as much as how it appeared. If the work invites a pause, or offers a moment of calm and perspective, then it has succeeded.